Manuel Machorro ’25 (left) of Mexico City and John Campana ‘26 of Plymouth, Mich., both members of the Deansmen, a Bates a capella group, perform during April’s second Admitted Student Reception, which gave admitted students a chance to get a taste of the Bobcat life, from food, to music, to academics.īackatcha! Phyllis Graber Jensen/Bates CollegeĪlexandra D’Aquino ’23 of Weston, Conn., returns a shot during the women’s tennis team’s 6-3 win over Connecticut College at the Wallach Tennis Center on April 15. Greeted with Song Phyllis Graber Jensen/Bates College Professor of Hispanic Studies Baltasar Fra-Molinero (center) speaks with Sam Jean-Francois ’23 (left) of Medford, Mass., and Emily Diaz ’23 of Corona, N.Y., during the Lavender Celebration, an end-of-year celebration for LGBTQ+ seniors and their allies. Lavender Love Phyllis Graber Jensen/Bates College “As a Franco-American and French speaker, Herb has been a great friend and contributor to the brainstorming process surrounding my thesis.” “My thesis is about the evolving role of French in Maine,” explains Coleman. Saucier has a Franco-American heritage, which sparked a connection between the two. He met Coleman while driving the Bobcat Express Service Learning Shuttle, which transports students like Coleman to their community activities. Martha Coleman ’23 of Seattle gets help binding her honors thesis from a life-long Lewiston resident, Herb Saucier. Les Amis Phyllis Graber Jensen/Bates College Thesis bindings, admitted student receptions, retirement parties, and athletic achievements remind us that This Month at Bates is a time to celebrate. Short Term has arrived, and Commencement is not far off. When the Hathorn magnolia blooms, we relish its resilience and anticipate the end of the academic year. Photos SCORE: A FILM MUSIC DOCUMENTARY, Tyler Bates, 2016.Share on Email Share on Facebook Share on Twitter Share on LinkedIn Bates has also worked closely with musician-turned-horror-director Rob Zombie, scoring all Zombie's films including his reboot of the slasher-flick staple "Halloween" and its sequel. ![]() Romero's classic 1970s zombie flick "Dawn of the Dead." The director on the latter film was a young filmmaker named Zack Snyder, who worked again with Bates on his next two films, the graphic novel adaptations "300" and "Watchmen." The first of those films was at the center of a brief scandal when it was revealed that Bates had plagiarized several music cues in his score from Elliot Goldenthal's score for Julie Taymor's experimental Shakespeare adaptation, "Titus" Warner Brothers Studios took the unusual step of acknowledging and apologizing for the intellectual property theft on its website. ![]() Moving full-time into film scoring, Bates continued working in low-budget and direct-to-video films before eventually rising to higher-profile films like "Baadasssss!," Mario Van Peebles's affectionate biopic of his father, independent filmmaker Melvin Van Peebles, and a remake of George A. Bates, a Los Angeles native, began his professional career in the early 1990s, scoring low-budget thrillers and science-fiction films with titles like "Tammy and the T-Rex." During this period, he also performed as half of an alternative rock duo, Pet, with singer-songwriter Lisa Papineau, releasing a sole album on Atlantic Records in 1996. Tyler Bates is a prolific film composer best known for his score to the Zack Snyder-directed action hit "300," which engendered some unwelcome publicity in the form of a plagiarism scandal.
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